A Bevy of Books

I’ve read some really great books lately and have been keeping them mostly to myself.  Today, the selfishness ends!

The Girl with No Shadow by Joanne Harris (whom I’ve slathered much love on here and here) is the next chapter of the story of Vianne and Anouk Rocher from Chocolat (the book, of course, not the film, though the stories are close enough that film-goers would enjoy it, I think).   It is every bit as wonderful as Harris’s best stuff.

It’s five years since we’ve been in Lansquenet and things are very different for Vianne. She’s given birth to a second child (Rosette) and has consented to marry a man she does not love.  She’s hiding from the world instead of trying to bring magic to it. Anouk is entering puberty afraid of herself, the magic inside her and the world around her, and wishes her mother was the woman she used to be.  Enter Zozie.

Zozie is everything Vianne used to be, but without the compassion and kindness. She is cool and interesting and not afraid to attract attention. She sees the potential in Anouk and wants it for her own selfish reasons. But in truth, she’s hiding even more than Vianne is – from herself more than anyone.

Harris’s writing is stellar, as always. The copy I have is the P.S. version, with interviews and background material, and I read every bit so I could live with the book and characters a little longer. I was visiting my sister and her family in the wilds of Northwest Montana and read it by flashlight in my tent, surrounded by the sounds of horses grazing around (and sometimes underneath) my tent late at night. The strange surroundings only added to the feeling that I was really in another world, living with Anouk and the others in Paris.

I’m not sure I can articulate what it is I love about Harris. It’s the same thing I love about a lot of authors, who write a lot of different stuff (Miéville, Chabon, De Lint, Shields, Kingsolver). Her works speaks of truths I knew but hadn’t recognized. Her characters are people I’ve been, or met, or would like to meet. I feel as if I know myself better at the end of the book than I did at the beginning. Her writing has a beauty apart from the meaning of the words. Her work helps me feel more strongly connected to the world.

It’s hard to turn the last page, sometimes, and let that go.

True Story: The first in-depth article I read regarding China Miéville was a NY Times article about The Kraken, his latest novel (2010).  I found this article because (of course) Neil Gaiman linked it in his blog. (Or maybe on twitter, since I can’t seem to find it on the blog.)  It was this article, along w/Neil’s recommendation, that got him on my list of authors to check out. After The Scar, I knew I’d be keeping track of his work. But I just finally read The Kraken, after four other books by Miéville.  And I’d forgotten that the article was about this one until I went looking for a pic for this blog.

Art by Vincent Chong

The Kraken is my favorite so far, though I’ve loved everything I’ve read. Here are today’s reasons why I am in love with China Miéville:

1) I don’t always understand what the heck he’s talking about.  This is rare, especially in a work of fiction.

2) Even when I don’t understand exactly he’s talking about, I’m not irritated by it. It’s not bad writing, it’s fantastic writing that comes across as reality – we don’t always know what the heck is going on!  I’m right there with the rest of the characters. Most of them manage to muddle through somehow, like we all do.

3) He loves to play with words. He makes up words for concepts that don’t currently exist (in mainstream culture, at least) and plays with the language while labeling them.

4) He’s not ashamed of his geek flag, and slips his pop culture references in with originality and tons of humor.

5) I’ve yet to guess more than 50% of any story (of his) that I’ve read (4 novels & one short story collection), and never been disappointed. Many of his plot twist are not just surprising, but truly mind-blowing. As in: I have to put the book down and marvel at the new place he’s taken me in my brain. He doesn’t take things to the next level – he skips 100 steps and lands somewhere much more shocking, and rearranges everything you just read into something new and even more impressive. All without breaking the tension.

Go. Read.

I’m sure I’ve mentioned China Miéville before – here, in fact – a new speculative fiction love for me. Since picking up The Scar, I’ve read Perdido Street Station, Looking for Jake (short stories) and now Un Lun Dun. And The Kraken is sitting on my shelf, waiting for me to finish Middlemarch.

Un Lun Dun (UnLondon) is an ‘other-London’ in the tradition of Alice in Wonderland,  Neverwhere (and various other stories, none of which I can recall right now) where there’s a whole other city/place below/between/just-out-of-reach of the real city, where freaks or aliens or whatever live, and everything is just a bit different than the city most people live in.

Miéville grabs with glee this license to mess with the world.  He is a meticulous world-builder, and never misses an opportunity to add a bit of crazy fun to every situation the intrepid heroes are faced with. He gives us things like upside down cars that are used as boats (which are called ‘car’ but with the word upside-down on the page, it sounds something like ‘rack,’ but the best way to pronounce is ‘turn your head upside-down, then say car’), trash is alive (and can be pets), librarians are explorers, houses are made from defunct technology, and giraffes are the scariest animals.  And – my personal favorite – the binjas.  Seriously. Trash cans (bins in the UK) which are actually ninjas. They keep their weapons inside their cans and have the perfect camouflage. Binjas. Freaking. Awesome. The illustrations are also done by Miéville, quite the talented guy.

Miéville wrote this book aimed at a YA audience, so – at least in the beginning – it doesn’t have much depth. But stick with it, it will be worth your while. There’s  a video interview (which you can see here, sexy & smart – woohoo) where he talks about the book -why and how and stuff.  This book interrogates the quest model so common in sci-fi books (whether for kids or adults) and pokes some fun at it as well. The best thing about this book? It’s fun.  He’s clearly having a blast writing it, and it is fun to read it.

If you love sci-fi/fantasy books, and you’re looking for a light read that isn’t boring and lame – or you’re looking for a way to ease into the dark craziness of Miéville – read this next.

Yes, I know. It’s July – practically August – and I’m just getting to What I Read in May. But it is still July, and I intend to get June done before August as well. And maybe if I just do a little blurb on each of these books, I can stop feeling so behind (or not).

I’ve broken May into two parts – Neil Gaiman and Not Neil Gaiman. I’ll give you the Not while I’m finishing up the other.  Even a short blurb on 16 books was getting a bit long, and some turned out to be not-so-short.

The Summer We Fell Apart by Robin Antalek. Discussed here. Loved it.

Eat, Pray, Love by Elizabeth Gilbert. Discussed here. Liked it a lot. Can’t really see Julia Roberts playing her, but that’s cool. Glad I read it already.

The Candy Shop War by Brandon Mull. I like to encourage kids to read, so when my friend’s son was excited about this book and wanted me to read it, I gave it a shot. Unfortunately, some children’s books are great books that happen to be read by children (Harry Potter, Chronicles of Narnia) and some are just children’s books. I got bored pretty quickly, so I didn’t finish it. Turns out, the boy didn’t finish it either! Guess he was more excited talking about it that actually reading it.

Chocolat by Joanne Harris. I read this one because a) I loved the movie and b) I have since liked everything else I’ve read by Harris and c) I wanted to be able to speak intelligently about the book, not just the film. The book is a little different in tone and detail from the film (the romance is less prominent in the book, the Comte and Vienne both more nuanced) but I felt like the film was a faithful representation of the story here.  Love Harris.

Alas, Poor Darwin: Arguments Against Evolutionary Psychology, ed. Hilary & Steven Rose. I read an article/editorial in the New York Times (I think) by Hilary Rose, and that’s where I heard about this book. It is really aimed at scientists in the fields of Psychology, Sociology and Biology, so it was a big of a slog at times. Their purpose was to refute the recent trend to discuss evolutionary psychology as a science, when really what’s being talked about most is more of a simplistic metaphor to help explain behavior. What is useful as a heuristic is being presented as scientifically-based – and the scientists in this book would like those people to knock it off. Much of it was interesting, but I didn’t retain much.

Alabaster by Caitlan R Kiernan. Discussed here. Loved this one.

Cemetery Road by Gar Anthony Haywood. This is a book I picked up at the PLA convention (same source as The Lonely Polygamist). I’ll confess – I mostly picked it up because I met the author briefly, and he was nice and very attractive. The book is a suspense/detective kind of thing. I started off not terribly impressed – and then realized it was 5am and I’d finished it. A short, fast read, in which the main character knows more than he’s telling us as he tries to figure out the strange death of a childhood friend. I was never bored, and I bore easily. In my notes, I called it ‘deceptively seductive.’

Bright-Sided: How the Relentless Promotion of Positive Thinking Has Undermined America by Barbara Ehrenreich. A great book about how ignoring painful truths is (duh) counter-productive. This one will get its own post. No really, I’m not just saying that.

Father of the Rain by Lily King. I reviewed this book for BookBrowse, loved it. Similar to The Summer We Fell Apart, it is the story of a charismatic, alcoholic father from the viewpoint of his 11-year-old daughter. It follows her until she’s an adult with a family of her own, as she tries to rid herself of the pain and learn new ways to trust people. The writing is fabulous, the details ring true, and I just wanted to reach into the book and give that girl a hug.

The Girl Who Stopped Swimming and Between, Georgia, both by Joshilyn Jackson. Both of these I listened to as audiobooks.  I found Jackson last year at my sister’s house – she had gods of Alabama, and then I found Between, Georgia on a sale rack. Jackson has a clear voice and a talent for description that makes her characters vibrant, interesting and convincingly human. I listened to The Girl Who Stopped Swimming, on a road trip a few months ago and was even more impressed with this third novel – and the audiobooks are read by the author, who is a great reader. All three books take place in modern-day southern United States, with a female protagonist that feels like a neighbor you’d like to be friends with. All three focus on the pains and joys of families with skeletons in the closet that just won’t stop rattling. I’ve got her new one, Backseat Saints, on hold at the library.

There was much to love this month – which is probably why I got through 16 (well, 15 ¼)  books, some of them pretty long. Up next, Neil Gaiman in May, then What I Read in June. Stay tuned.

Alabaster by Caitlin R. Kiernan is a book of short stories about Dancy Flammarion (what a terrific name!), an albino girl who’s been tapped by some mystical/alien/supernatural forces to fight for the good guys – but this is no fairy tale or super-hero yarn. She’s a young girl who has lost her family, and wanders the world with a big knife in her duffel bag, waiting for the ‘angel’ to tell her where to go next, which monster she has to kill. Meanwhile, she doesn’t know where her next meal is coming from and may have to walk that 100 miles to the next town.

Kiernan is incredible. Her descriptions are spare on physical details and heavy in emotional weight. She sketches a separate universe in convincing broad stroke simply for the sake of hinting at (but by no means explaining) why Dancy has been tapped by these angels for the ugly job she’s had thrust upon her. I read Alabaster in May, and loved her writing so much I put some of Kiernan’s other novels on hold.

Silk is a frightening novel of strange deaths and creepy things hiding in the shadows – oh yeah, and spiders.  I feel like the book needs a warning label: DANGER: Reading this book may cause you to become arachnophobic, and arachnophobes may require hospitalization.

Horror really isn’t my genre any longer, but Kiernan’s writing is so fantastic I loved it anyway. I think – for me at least – the haunting comes from her writing, not from the plot. I was hooked to the end, and had figured out just enough of what was going on (this lady does not spoon-feed her readers, no sir) that I had to stick around and find out the rest. And while the plot was basic, Kiernan’s treatment of it was a perfect blend of detail and broad strokes.

Phrases like this one describing Savannah, Georgia:

the old city laid out wide and flat where the Savannah River runs finally into the patient, hungry sea. The end of Sherman’s March, and this swampy gem was spared the Yankee torches, saved by gracious women and their soiree seductions, and in 1864 the whole city made a grand Christmas gift to Abraham Lincoln.

reach out and smack you without interfering with the pace of the story. Me, of course, I stop and read it over a few times, letting it dance around my head and make pictures, teasing me with the idea that writing phrases like that is a goal I could live with.

I admit, most of the evocative phrases (that come immediately to mind) deal with darkness and what hides inside – and doesn’t always stay safely hidden – so her books are not recommended for those who can’t watch scary movies for fear of nightmares. I imagine her stories would have the same effect – as much for what she refuses to describe as for what she paints so tangibly for you.

I think I liked the short stories better because they were more about the language than the plot. Without the need to carry the story for more than a few thousand words, the focus is on making each word do the job of three, and the result (in Kiernan’s capable hands) is a joy to behold. I think that Chabon was the last writer whose dexterity I felt so impressed by, though they have little else in common. I also enjoyed getting to know Dancy over the course of those stories, and cared about her more than I did the characters in Silk, though I liked them well enough.

Alabaster is sometimes considered Young Adult fiction since Dancy is somewhere around 15, but Silk is definitely adult fiction (due to the inclusion of some ugly drug use and one sex scene that’s more than just hinted at – and I guess some [idiots] would say because that sex scene is between two women).

I found Kiernan via Neil Gaiman (what, you’re surprised? He has a real thing for the horror genre done well), but I think she’s my favorite recommendation so far. It’s funny, but many of the books/writers that Gaiman recommends… well, they really aren’t my thing. And I feel guilty for not loving them.  Which is ridiculous, of course. I don’t even love everything he’s done (least fave – Anansi Boys), why would I love every single book he’s ever liked? And of course, he’s let me off the hook – he also thinks it’s silly to expect everyone to like the same things all the time (he said so many times in his blog, no instance of which can I find right this minute so as to link to it). However, many of his other recommendations (artists and musicians, mostly) I’ve adored (Lisa Snellings!  – I must own a poppet).

Footnote: as I was writing this entry, I went looking for a copy of Alabaster I could call my own (having read a library copy) and was dismayed to see it out of print, with the least expensive copy being a used hardback for $60. However, my anger soon turned to joy when I found a $5 eBook copy and had it on my PC & my iPod in less than 10 minutes – and that while having to choose formats, download an app and figure out how to work it. And if my computer crashes or whatever, I can always download it again. I’ll never give up my paper books, but who can argue with that?