A few words about a few books

These are all books by authors I’ve previously reviewed and loved and gushed on and on about, so I thought I’d spare us all the embarrassment and just give you a quick blurb, in case you are also a crazy fan person.

Me Talk Pretty One Day is another great read by David Sedaris, who rants about his technoloathing (not technophobia for him, no sir), bemoans his ability to communicate in French (hence the title) and cracks wise about the death of pets and parents.  I’ve waxed poetic about my love for Sedaris before, so I’ll just say he continues to satisfy my every snarky impulse.

Maps & Legends: Reading and Writing Along the Borderlands is a collection of essays by Michael Chabon that were originally printed in such places as The Washington Post  Book World, New York Review of Books and Architectural Digest (yes, really). His non-fiction is as precise and entertaining as his fiction writing, and he likes some of the same people I do (Philip Pullman, Neil Gaiman, comic books), so I’ve forgiven him for Sherlock Holmes.  Worth every penny of the $8 I spent at the Powell’s sale rack (and probably more).

Gentleman and Players is another winner by Joanne Harris. The story of an all-boys school in modern-day England, it explores the pain of growing up, the role of teachers in our lives, and the relentless march of time vs. the proud traditions of the past.  Not as powerful as Blackberry Wine or Holy Fools, but a great read.

Animal Vegetable Miracle is the family memoir of a year spent trying to eat local. Barbara Kingsolver, along with her husband and two daughters, commit to a full year of trying to grow as much of their own food as possible, buy food from no farther than an hour from their home (in the southern Appalachians), and try to live a life-less-damaging (to the planet). The book includes recipes as well as essays on some of the statistics behind commercial food production and what-not, but is mostly the journal of a fabulous writer who happens to be trying something difficult and important. I’ve yet to read a book by this woman that didn’t impress me. It makes me happy that there are people like her sharing the planet with me.

a review and some ranting

Paradise of the Blind by Duong Thu Huong is a sad story. It is billed as the first novel from Viet Nam ever published in the U.S., as well as a book banned within Viet Nam. It shows the world what was going on in Northern Viet Nam right after the western empires pulled out in the mid-1970s.

The story focuses on Hang, a girl who lost her father and is being raised by her poor, single mother. Their struggle is mostly due to an uncle’s power-brokering for the brand-new Communist Party in recently segregated Viet Nam. This uncle chased off the father, only shows up when he needs something from his sister, and contributes absolutely nothing to their household, which is barely scraping by. When Hang’s aunt (on her father’s side) finally reconnects with them, she becomes a new protector – but only at the cost of her mother’s love. It seems that, since Hang has been claimed by her father’s family, her mother no longer feels important in Hang’s life. Like this little girl is responsible for the idiot behavior of her entire family! It is a powerful depiction of how pain and self-sabotaging behavior is passed on from one generation to the next.  BREAK THE CYCLE, PEOPLE!

Painful – but not surprising – to read of yet another culture where the women are expected to serve the men in their family, and sacrifice their health, their children, love, dignity, whatever it takes. And those men with power (though they had little else) are taking advantage and not living up to their responsibility to care for those supposedly in their keeping.

And in case anyone is wondering – the problem is not that it is men in charge and women not in charge. The same thing would happen if the women were all given unearned power w/no question.  The problem is placing an entire class of people in charge based on that class/gender/color/whatever and another in the submissive role for not being of the proper class. Absolute power corrupts absolutely, yes?  Unfortunately, on this particular planet, it is far and away the male gender that has been placed in the power role over entirely too much of the world, and therefore entirely too many women and girls suffering because of it.  I am NOT bashing men because they are men; I’m infuriated at a system that distributes power so arbitrarily.

I am no student of Viet Nam, so I learned a lot here – but always through the lives of these very well-written characters, otherwise I probably would have moved on to some other book (there a big stack over there, taunting me). When I get worked up and angry at characters in a novel, it’s a sign of great writing. In the end, this is the story of cultural upheaval through the lens of one family. The book is wonderful, and I’ll be looking for more books by Duong in the future.

what I did last Saturday

I think I first saw The Summer We Fell Apart by Robin Antalek in a San Francisco book store. I was too broke to buy it (because I was already in San Francisco on a trip I couldn’t really afford). I’m sure I wanted it because it was about siblings who grew up with neglectful (but fabulous) parents and how they deal with that.  I must have put it on hold at the library at some point after I got back, but I don’t remember doing it.  I picked it up this morning and the day disappeared while I devoured it.

The book is impressive. Antalek takes us through the pain of each particular child, one at a time, while they spend their adult lives trying to figure out how to be happy.  Every bit of it rings true.  The youngest child is the most protected from the damage done by the parents, buffered by her older siblings and their solid presence, while the older kids take longer to find distance and recover from the heavy hits they took from selfish, immature parents.  And even as they hurt each other, the siblings love each other and try to help each other climb out of the foxholes they’ve dug for themselves. The ending is hopeful, and some of the kids even find love and happiness. But what they have, in the end, is each other.

This family has more siblings, more drama, and more damage – but it’s not really that different from my own family (though my parents were not famous artistic people, but more Joe & Judy Average).  Except in this family, you get to see how everyone feels. Everyone but the dad, who dies from a brain tumor (though even with him we get glimpses). In real life, you don’t necessarily get to see inside your parents’ heads for a glimpse of what the hell they were thinking about while your childhood went down the drain.

I think the hardest sibling to read about is the oldest, Kate.  How she made excuses for the faults of her father while being a parent to her three younger siblings. How she finally took off and never looked back. How she let her need for her father’s approval destroy the only healthy, loving, romantic relationship in her life. How she still tried to make everything ok for her siblings, even as adults, and failed miserably and felt completely unappreciated by them. I saw pieces of myself and both of my sisters in this poor woman. Lucky for us, we’ve all healed a lot more than she has by the end of this book.

I find it hard to believe that Antalek might have grown up in a loving, supportive environment – that’s how realistic this book feels. I have no clue if/how much of it may be autobiographical, and I really don’t care. I just know that she has constructed a family of extraordinary veracity and complexity, and reading their story feels like witnessing a crime and its aftermath.

I’m blaming the book club

I used to be a member of the SciFi Book club – starting in 1991. Every month – whether I bought a book or not – I got a cool flyer telling me all about the new sci-fi and fantasy books coming out. I found tons of books (e.g. The Wheel of Time) I might never have known about. I only stopped buying through them when I discovered used book stores, because used book stores don’t take book club editions (as a rule).  I’m sure it was in a SciFi Book Club flyer that I first saw Sandman comics/graphic novels and thought they looked cool. But, being a broke child, I never did buy one (because the graphic novels were more expensive than the regular books). But I did buy Neverwhere – partly because I’d wanted Sandman, and partly because it was a recommended book that month. Or maybe it was on sale. Neverwhere was my very first Neil Gaiman experience, and there was no turning back.

Fast-forward… 14 years? Now I’m obsessed with his blog. I can’t stop reading it. So far, I’ve read back to July of 2009, then decided to start at the beginning (of the current blog) in September of 2001 and read forward and I’ve gotten as far as January February March 2002 (and this while having intermittent connectivity issues which are DRIVING ME CRAZY). I joined twitter so I could ‘follow’ him. I’m watching interviews with him on the web, and reading his blog at work when I should be working. I’m practically a stalker (but still staying on the right side of the law-dog). I was bored with the book I was reading (A Disobedient Girl) and decided to re-read Good Omens because he was talking about the audiobook (and I’d already re-read American Gods lately). He likes the same people I do (Pratchett, Chabon, Gibson) and seems strangely connected to other creative people I like as well (de Lint, Miyazaki). It’s like proof that the things I like are cool, and that I’m not crazy for seeing meaning where others see coincidence. Example:

I was reading a journal entry of Neil’s (I call him by his first name because I feel like he’s my personal friend. I know it’s presumptuous. But it makes me feel special) about an artist he likes/finds inspiring/collaborates with, Lisa Snellings Clark. I click the links (which – keep in mind – are 8 years old) so I can see some of her artwork. Not much luck with the links, so I do a Google search for her name and find her blog. Above the ‘about me’ widget there is a link that says ‘Lisa explains it all at Stainless Steel Droppings.’

My eyes must have looked like an anime character at that point.

Stainless Steel Droppings is a blog I’ve read just recently that, among other things, reviews books.  A friend sent me a link a few weeks ago to a review Mr. Droppings had written because he was announcing a new Charles de Lint book and she wanted to make sure I knew about it. To recap, that is Neil Gaiman-Lisa Snellings Clark(2002)-Stainless Steel Droppings (2008)-Me(April 2010), and also Friend of Mine-Charles de Lint-Stainless Steel Droppings-Me(April 2010). I’m not imagining things – the world is conspiring to shower me with blessings.

In case all of that seems like it’s just me wasting time:

Reading about all the different projects (my super-close pal) Neil has going on, and the way he works on half-dozen things at a time (apparently) and enjoys other artists’ work in various mediums… somehow it is encouraging me to put more effort into writing, and deciding what to do about the whole writing thing. I’m not a fiction writer, so what kind of (non-academic) thing do I want to be writing? I know that the first rule of writing is to put pen to paper (metaphorically speaking – my handwriting sucks and I can type a lot closer to fast enough when the muse is on).

Write, even if it’s bad, even if it’s garbage. Write. Because if you do it enough, you will get to the good stuff – assuming you have any.  And the bad stuff will get better. Your writing will not get any better by not writing, that is for sure.

I’ve posted a blog entry 6 days in a row now, and have one in the can, and another one started. So thanks, Neil. For being my electronic friend and inspiration; for filling the empty hours and giving me hope for future hours filled with interesting projects.

A book & a film by a Frenchman

I don’t remember where I heard about Brodeck by Philippe Claudel.  It might have been BookBrowse.com, but could have been Powell’s.  I do remember that I was broke and out of books to read, so I hit the library after work (I also remember that it was raining, and I was rushing to get there before they closed, but you probably don’t need to know that, right?). I had the name of the book in my head, and it happened to be on the New Book shelf at the Hillsdale branch, so I brought it home (with several others, I’ve never gotten out of a library with only one item. Ever.).  It got great reviews, and when I went looking around the interwebs, I discovered he writes screenplays and directs films as well.

Brodeck was one of those books I really should have written about when it was still fresh in my mind. I’m sure I read this book in 2009, so it’s been several months. I remember it being really good, and melancholy without being sad, exactly. I remember being impressed with his first-person narrative (a difficult style to do well, in my opinion) and how strongly the emotional character of Brodeck was portrayed. But all of the other terribly learned and intelligent things I’m sure I meant to say about it completely escape me at this point. I know that I voted for it as ‘best book of the year’ on some poll, based on the fact that it was the best of the books on the list they had (that I had read).

The story is set in post-WWII Europe (somewhere around the Poland/Germany border, the story is deliberately vague on this point). A stranger comes to town and is so curious and strange and inquisitive and happy, that this beaten-down little hamlet is completely defensive and immediately suspicious of him. They end up killing him out of fear and guilt.  It is a great story about how guilt can eat you alive, and how painful it can be to face your own conscience. It’s also a great story about ‘the truth’ and how hard it can be to tell it, or recognize it.

The book is supposed to be a ‘report’ the town leaders have asked Brodeck to write to explain what they did to some nebulous government authority in the distance, in case there are any questions.  But of course, writing this is dangerous – look what happened to the last guy! – and so Brodeck ends up writing two versions, one for the town elders and one for himself – and us. The layers of story and viewpoint are impressive and well-executed.

I picked up a film at the video store a few weeks ago (was in the foreign film $1 section, had Kristin Scott Thomas on it) and it was one of his (at this point, having totally forgotten that he did films), so I rented it (I’ve Loved You So Long) and it was great as well. Also sad, about how loss can make you do crazy things, and how love really can heal you, even if it can also destroy you.

So there ya go – a book and a movie recommendation.  Next time you’re looking for pathos and enlightenment, Philippe Claudel is your guy. Tell him you heard it here first.

(only one more book on the ugly list – yay!)