What I Read in May – Part Uno

Yes, I know. It’s July – practically August – and I’m just getting to What I Read in May. But it is still July, and I intend to get June done before August as well. And maybe if I just do a little blurb on each of these books, I can stop feeling so behind (or not).

I’ve broken May into two parts – Neil Gaiman and Not Neil Gaiman. I’ll give you the Not while I’m finishing up the other.  Even a short blurb on 16 books was getting a bit long, and some turned out to be not-so-short.

The Summer We Fell Apart by Robin Antalek. Discussed here. Loved it.

Eat, Pray, Love by Elizabeth Gilbert. Discussed here. Liked it a lot. Can’t really see Julia Roberts playing her, but that’s cool. Glad I read it already.

The Candy Shop War by Brandon Mull. I like to encourage kids to read, so when my friend’s son was excited about this book and wanted me to read it, I gave it a shot. Unfortunately, some children’s books are great books that happen to be read by children (Harry Potter, Chronicles of Narnia) and some are just children’s books. I got bored pretty quickly, so I didn’t finish it. Turns out, the boy didn’t finish it either! Guess he was more excited talking about it that actually reading it.

Chocolat by Joanne Harris. I read this one because a) I loved the movie and b) I have since liked everything else I’ve read by Harris and c) I wanted to be able to speak intelligently about the book, not just the film. The book is a little different in tone and detail from the film (the romance is less prominent in the book, the Comte and Vienne both more nuanced) but I felt like the film was a faithful representation of the story here.  Love Harris.

Alas, Poor Darwin: Arguments Against Evolutionary Psychology, ed. Hilary & Steven Rose. I read an article/editorial in the New York Times (I think) by Hilary Rose, and that’s where I heard about this book. It is really aimed at scientists in the fields of Psychology, Sociology and Biology, so it was a big of a slog at times. Their purpose was to refute the recent trend to discuss evolutionary psychology as a science, when really what’s being talked about most is more of a simplistic metaphor to help explain behavior. What is useful as a heuristic is being presented as scientifically-based – and the scientists in this book would like those people to knock it off. Much of it was interesting, but I didn’t retain much.

Alabaster by Caitlan R Kiernan. Discussed here. Loved this one.

Cemetery Road by Gar Anthony Haywood. This is a book I picked up at the PLA convention (same source as The Lonely Polygamist). I’ll confess – I mostly picked it up because I met the author briefly, and he was nice and very attractive. The book is a suspense/detective kind of thing. I started off not terribly impressed – and then realized it was 5am and I’d finished it. A short, fast read, in which the main character knows more than he’s telling us as he tries to figure out the strange death of a childhood friend. I was never bored, and I bore easily. In my notes, I called it ‘deceptively seductive.’

Bright-Sided: How the Relentless Promotion of Positive Thinking Has Undermined America by Barbara Ehrenreich. A great book about how ignoring painful truths is (duh) counter-productive. This one will get its own post. No really, I’m not just saying that.

Father of the Rain by Lily King. I reviewed this book for BookBrowse, loved it. Similar to The Summer We Fell Apart, it is the story of a charismatic, alcoholic father from the viewpoint of his 11-year-old daughter. It follows her until she’s an adult with a family of her own, as she tries to rid herself of the pain and learn new ways to trust people. The writing is fabulous, the details ring true, and I just wanted to reach into the book and give that girl a hug.

The Girl Who Stopped Swimming and Between, Georgia, both by Joshilyn Jackson. Both of these I listened to as audiobooks.  I found Jackson last year at my sister’s house – she had gods of Alabama, and then I found Between, Georgia on a sale rack. Jackson has a clear voice and a talent for description that makes her characters vibrant, interesting and convincingly human. I listened to The Girl Who Stopped Swimming, on a road trip a few months ago and was even more impressed with this third novel – and the audiobooks are read by the author, who is a great reader. All three books take place in modern-day southern United States, with a female protagonist that feels like a neighbor you’d like to be friends with. All three focus on the pains and joys of families with skeletons in the closet that just won’t stop rattling. I’ve got her new one, Backseat Saints, on hold at the library.

There was much to love this month – which is probably why I got through 16 (well, 15 ¼)  books, some of them pretty long. Up next, Neil Gaiman in May, then What I Read in June. Stay tuned.

Albinos, spiders, eBooks and love – Alabaster & Silk, both by Caitlin R. Kiernan

Alabaster by Caitlin R. Kiernan is a book of short stories about Dancy Flammarion (what a terrific name!), an albino girl who’s been tapped by some mystical/alien/supernatural forces to fight for the good guys – but this is no fairy tale or super-hero yarn. She’s a young girl who has lost her family, and wanders the world with a big knife in her duffel bag, waiting for the ‘angel’ to tell her where to go next, which monster she has to kill. Meanwhile, she doesn’t know where her next meal is coming from and may have to walk that 100 miles to the next town.

Kiernan is incredible. Her descriptions are spare on physical details and heavy in emotional weight. She sketches a separate universe in convincing broad stroke simply for the sake of hinting at (but by no means explaining) why Dancy has been tapped by these angels for the ugly job she’s had thrust upon her. I read Alabaster in May, and loved her writing so much I put some of Kiernan’s other novels on hold.

Silk is a frightening novel of strange deaths and creepy things hiding in the shadows – oh yeah, and spiders.  I feel like the book needs a warning label: DANGER: Reading this book may cause you to become arachnophobic, and arachnophobes may require hospitalization.

Horror really isn’t my genre any longer, but Kiernan’s writing is so fantastic I loved it anyway. I think – for me at least – the haunting comes from her writing, not from the plot. I was hooked to the end, and had figured out just enough of what was going on (this lady does not spoon-feed her readers, no sir) that I had to stick around and find out the rest. And while the plot was basic, Kiernan’s treatment of it was a perfect blend of detail and broad strokes.

Phrases like this one describing Savannah, Georgia:

the old city laid out wide and flat where the Savannah River runs finally into the patient, hungry sea. The end of Sherman’s March, and this swampy gem was spared the Yankee torches, saved by gracious women and their soiree seductions, and in 1864 the whole city made a grand Christmas gift to Abraham Lincoln.

reach out and smack you without interfering with the pace of the story. Me, of course, I stop and read it over a few times, letting it dance around my head and make pictures, teasing me with the idea that writing phrases like that is a goal I could live with.

I admit, most of the evocative phrases (that come immediately to mind) deal with darkness and what hides inside – and doesn’t always stay safely hidden – so her books are not recommended for those who can’t watch scary movies for fear of nightmares. I imagine her stories would have the same effect – as much for what she refuses to describe as for what she paints so tangibly for you.

I think I liked the short stories better because they were more about the language than the plot. Without the need to carry the story for more than a few thousand words, the focus is on making each word do the job of three, and the result (in Kiernan’s capable hands) is a joy to behold. I think that Chabon was the last writer whose dexterity I felt so impressed by, though they have little else in common. I also enjoyed getting to know Dancy over the course of those stories, and cared about her more than I did the characters in Silk, though I liked them well enough.

Alabaster is sometimes considered Young Adult fiction since Dancy is somewhere around 15, but Silk is definitely adult fiction (due to the inclusion of some ugly drug use and one sex scene that’s more than just hinted at – and I guess some [idiots] would say because that sex scene is between two women).

I found Kiernan via Neil Gaiman (what, you’re surprised? He has a real thing for the horror genre done well), but I think she’s my favorite recommendation so far. It’s funny, but many of the books/writers that Gaiman recommends… well, they really aren’t my thing. And I feel guilty for not loving them.  Which is ridiculous, of course. I don’t even love everything he’s done (least fave – Anansi Boys), why would I love every single book he’s ever liked? And of course, he’s let me off the hook – he also thinks it’s silly to expect everyone to like the same things all the time (he said so many times in his blog, no instance of which can I find right this minute so as to link to it). However, many of his other recommendations (artists and musicians, mostly) I’ve adored (Lisa Snellings!  – I must own a poppet).

Footnote: as I was writing this entry, I went looking for a copy of Alabaster I could call my own (having read a library copy) and was dismayed to see it out of print, with the least expensive copy being a used hardback for $60. However, my anger soon turned to joy when I found a $5 eBook copy and had it on my PC & my iPod in less than 10 minutes – and that while having to choose formats, download an app and figure out how to work it. And if my computer crashes or whatever, I can always download it again. I’ll never give up my paper books, but who can argue with that?