Category: Fiction

The Matrix vs. Lost – how not to end a story well

It’s not news that I am a huge sci-fi-fantasy-comic-book-alternate-universe story freak. I was watching The Matrix (for possibly the 30th time) the other day when I had a narrative epiphany. Or maybe an epiphany about narratives. Speculative fiction video narratives, to be exact.

Stories have to end sooner or later, in some kind of satisfactory manner – or else the things that excited it us (What do the machines want? Are those people dead? What is the Matrix? What is the Island?) will just start piling up and pissing us off.  So. How do you end it? How do you tell interesting stories – in worlds that must be explained – without either burying the viewers with WAY too much technical information, or else short-changing them?

Different story tellers make different choices. Those who are truly successful balance the world building, character exposition and plot perfectly – so we get most of our questions answered, and give a shit about the characters they happened to. I believe this is more difficult in a story in which one must convince the viewer that the world itself exists, in addition to believable characters and a plot that is both interesting and surprising (but not too).

The Matrix Trilogy vs. Lost

Both were very successful out of the gate. Both were very ambitious. Both asked all kinds of interesting questions and answered a few of them in the beginning. Both had a huge following.

And both of them had a huge portion of their followers HATE the way they ended.

In the Matrix story (I’m sticking to just the three films, here. I know there’s a lot more info in Animatrix and the games and whatnot, but the major thread is contained in the films), the writers/directors chose to explain everything they could: the Oracle, the Core, the Architect, Zion, the machines… on and on and on. An entire cosmology and ideology and history and everything. They knew this world inside and out and they shared it with us. And a lot of people (not me) thought it was boring and lame and too complicated. Like you had to take notes just to understand what was going on. And the characters are not terribly complicated. Good guys and girls, bad guys and girls. Boy loves girl, gets girl. Sketched in histories, lots of emotion but not too much depth.  In the choice between plot and character, the Wachowski  Brothers chose plot. It works well in the first flick, and by the third flick it’s clear that plot is what must sustain us.  For many, it was not enough. Or maybe too much – plot, that is, and not enough character. Time restrictions play a factor here – how long can the film be? (IMHO, their worst mistake – horrible recast of the Oracle. I know the original actress died, but they did a crappy job of choosing her replacement. Ack!)

In Lost, the TV series, Abrams and Lindelhof et.al., chose character over plot. We get histories, alternate futures, heavy interactions and lots of ambiguity. Sawyer: good guy or bad guy? Kate: bad girl or good girl? Who are the Others? And the other Others? They built a compelling but barely explicated cosmology that sacrificed detail for emotional impact. And some people HATED it. How did the smoke monster work, exactly? Were they dead the whole time? Why wasn’t Mr. Eko in the church at the end? For those who cared more about character, the ending was great (at that point, all I cared about was Sawyer and Juliet being reunited). I don’t need to know why pulling that strange stone plug out of a pool underground made the smoke monster mortal. It did, that’s what mattered. For those who wanted to KNOW, they had more questions at the end than ever.

So:
End of Matrix – finally! Who cares if it was the machines or the Architect or whatever. The humans lived. Good. Moving on.

End of Lost – What?! So were they dead? Were they dreaming? So was the island real? Did they die in the first plane crash? What about the smoke monster? Have you ever hated anyone as much as Benjamin Linus?

If you don’t get the balance just right, you will leave half your fan base angry and unsatisfied.

Many successful science fiction movies are set in the future – far enough away that you should expect for things not to make sense to your poor, feeble 21-century brain. With something like the Matrix, you have to explain why the world looks like ours but isn’t, and how it’s going to end, but it’s already ended 5 times before, but this time it’s different. Lost had six years and two timelines of strange happenings, and chooses not to give many details on most of them. But we know A LOT about Jack, and Kate, and Sawyer and Hurley and Mr. Eko and Sayid and Juliet and Ben and Locke and everyone else.

Comic books (and regular book series as well) have the luxury of drawing out the universe, painting it and describing it and making it real and believable and understandable, for years and years and pages and pages, without the obligation to tie all the loose ends or finish every sub plot at the end of each book/year/story arc/what-have-you.  It can create a place, pose 10 questions, answer 3 of them, and then continue on, asking more questions and answering a few here and there.  This freedom from deadline (at least in theory) is part of the reason it is hard to quit reading them.  One story may end, but the universe is still there, having other stories being told all over it.

Okay, so I don’t know exactly what it all means. But it seemed interesting. To me, at least. I wouldn’t presume to speak for all of you.

Bonus epiphany: theme of both Lost & Matrix = Love conquers all. Okay, so it’s a common theme. So what? It just occurred to me, so that makes it a super-amazing realization. And probably the reason I liked both of them. Well, that and cute boys.

best read lately – Zero History by William Gibson

The fiction that William Gibson writes now cannot strictly be called Science Fiction (or, if you prefer, speculative fiction). The world in Zero History (and the rest of the Blue Ant trilogy, Pattern Recognition and Spook Country) contains nothing that is not currently available in the world today. Sometimes, you have to make an effort to remember that he’s made none of these facts up. Of course the plot and people and details of their story are fictional – but all have been created by things that really exist. The world in the Blue Ant trilogy is our world, we live in it. And seen through Gibson’s eyes – it’s a crazy, freaky, fabulous place.

The difference – the thing that makes him incredible and amazing and worthy of homage and envy – is his ability to translate a unique viewpoint into prose that puts the reader firmly behind his eyeballs (real or metaphorical) so that they see the world new and different. He seems to have ‘created a new world’ out of the real world that surrounds us. I imagine that he developed this skill by building ‘fake’ worlds inspired by what he saw in the real world, until the world morphed and the reverse was now more interesting or inspirational or what-have-you.

The plot is slightly less labyrinthine than many previous Gibson novels, but no less satisfying. And (spoiler alert) the meeting between Hollis and the never-named Cayce had me jumping for happy-joy.  These characters echo much of my own personal world-view, and I’m sure that Hollis and Cayce and I would be friends.

I feel I should mention (for those who’ve not read Gibson) that he writes fantastic female characters, without it ever feeling like he’s trying to write a strong female lead character. All of his characters are nuanced and real and convincing, and many of them happen to be female – females recognizable as fully human and in no way singled out as unusual in being so. This is certainly true for the Blue Ant trilogy, and if memory serves, is true for previous works. Chevette from the Bridge Trilogy (Virtual Light, Idoru, All Tomorrow’s Parties) is a favorite, and I’ve loved Cayce since the first page of Pattern Recognition.

I went to see William Gibson at Powell’s in September (day two of his book tour – yay living in Portland!) to hear him read from Zero History. And truly, to be in the same room with him and get a feel for who he is. Again, as with Chabon, it was everything I’d hoped it would be.  I’d recently listened to Spook Country on audio (not read by him) and so it was easy to slip back into that world.  The descriptions sound even more odd when you are listening to them rather than being on the page, where you can go back and read them again to figure out what familiar object he’s describing in such unfamiliar terms. I’d read Spook Country several times before hearing it, so I was simply being reminding, not told for the first time.

I am super-focused on getting my debts paid off right now, and don’t usually buy hardback books anymore, so I didn’t buy a copy that day. I’d had Zero History on hold at the library for more than a month the day the book was released (I think I was something like #26 on the list) and was ever-so-patiently waiting for my turn. It finally came the day before I left for Alaska for six days of child- and friend-bonding. Perfect! There’s nothing better than a highly-anticipated read on a trip with many plane rides and days spent waiting for people to get off work. I almost started it again as soon as I’d finished it (which I don’t believe I’ve ever done). And I was sad to give it back to the library – but of course did so quickly after returning home, since my book-receiving karma must be kept in tip-top shape at my only current, dependable source for new reading material. I’m tempted to put it on hold again right now so I can read it again soon. Though not too soon – currently 135 holds on 44 copies. It makes me happy to see how many other people appreciate fabulous writing and a unique world-view. Go. Read it. Start with Pattern Recognition. You won’t be sorry.

Just some of the reading pleasures discovered in June of the year 2010

I’ve once again broken the list of books I read into two posts – scientifically separated into ‘those I’ve typed up’ and ‘those I haven’t finished typing yet.’ Only 13 books read in June, and that’s including two audio books and two I did not finish. In my defense, I was on vacation for almost half that time, so I actually had a social life (but also time to read on airplanes. hmm)

Avram Davidson Treasury. I only read a few of the stories in this collection of horror stories (unsurprisingly recommended by Mr. Gaiman). Not bad, but not really my thing.

The Child that Books Built by Francis Spufford. Most definitely my thing. Spufford examines the books he read as a child – after confessing that he is a devourer of fiction and an addict. Narnia, Little House on the Prairie, most of the books he discusses are books I also loved as a child – and he looks at how they shaped and fed him as a human being and helped make him the person he is now – while never being boring once. Loved it. Need to own this one and read it all the way through in one shot, instead of reading the first half in one week and then the second half two weeks later after returning from vacation.

The Scar by China Miéville. The night before I left on a multi-city, 12-day vacation, I was horrified to discover that I had no books to take with me. And by ‘no books’, I mean only one or two that looked interesting. Unbelievable. I was so worried about making sure I didn’t get fines for overdue books while I was gone that I forgot to stock up!

And then I remembered another of the great things about living in Portland – the bookstore at the airport is POWELL’S! And knowing that, I was able to sleep peacefully. Going to the airport early, as recommended by TSA, is no hardship when you can spend that (unnecessary, in this case) time browsing a good bookstore – with practically a mandate to buy something, since you have exactly two books to cover three days of flying in your 12 day trip. The Scar is one of the two books I bought that morning (Dune being the other – no, I’ve never read it. Yes, I know they can yank my sci-fi card for that) and the one I decided would be good Portland-to-Chicago reading material. And it was. Science-Fi-Fantasy-Otherworld fiction at its finest. It was strange to find that – while I didn’t really like or dislike the main character, Bellis, I could  not stop reading it. A convoluted, elaborate world – that apparently resides in a few other novels by Miéville – full of well-drawn human-people and nonhuman-people – and some very NON-human-nonhumans as well. This book rekindled a desire to read more sci-fi that I have yet to really indulge. But every time I see The Scar on the bookshelf, I want to go to the store.

Everything is Illuminated by Jonathon Saffron Foer. This is the first novel by the fabulous JSF (who I heap praise on here, and who can be heard here) which I bought at the bookstore* closest to my big Sista’s house in New Hampshire – not realizing that I’d read it before (but thankfully did not actually own. Of course, if I’d owned it, I’d likely have remembered that I read it). Not as utterly fantastic as Extremely Loud and Incredibly Close, but still crazy-good by any other standard.

This novel is the story of a girl in an old picture as imagined by JSFoer, and the story of someone, coincidentally, named JSFoer, who travels to Ukraine to do research on said girl, as told by the very-much-not-a-professional tour guide he employs while there. Amazing in its ability to fashion a beautiful story in such a strange way.

*Four books are still not enough, duh. And the Big Sista asked what we wanted to see/do, and I wanted to see and most definitely do the bookstore. It was a pretty good bookstore considering the very small population in the area. It had a big touristy focus that didn’t take away from the other sections, and even a small used-books section that I totally missed on our first trip there. (Second trip was because Little Sista had to return her broken booklight. For reals. Not my idea.)

Preludes and Nocturnes by Neil Gaiman, Sam Kieth, Mike Dringenberg and Malcolm Jones, III. In the category of ‘the strangest way in which Gaiman has materialized in my life without my seeking him’, I present the appearance of the graphic novel, Preludes and Nocturnes.

After a significantly-less-than-pleasant and not-even-close-to-timely trip from Chicago to New Hampshire, I arrived with both Sistas and one niece at Big Sista’s house at something like 4:30am (scheduled arrival: 11pmish). We were variously tired and lagged and hungry and trying to ready ourselves mentally for sleeping. I wandered into the kitchen because hungry was something I could probably remove from the list rather easily – and what do I find sitting on a side table in the hall? Preludes and Nocturnes – the first eight books of Gaiman’s Sandman series. Belonged to Big Brutha-in-Law, bought for him by a co-worker not long before that day. Trust me, at 5am it was a freaky coincidence. As a bonus, it was a book I had not read (having confused it with Endless Nights, which I had read). People wonder why I’m a little strange on the subject of Neil Gaiman.

This book is the set-up of the character and world of the Sandman (also known as Dream, Morpheus and many other names in time and space). I think I went online and reserved Absolute Sandman 1 after reading it, but it may have been before that. This books is also the reason I was cranky (here) when I finally got AS 1, because I’d read the eight of the 20 stories already and had to wait forever again for AS 2.

The Lonely Polygamist by Barry Udall. Reviewed here.

Avram Davidson Treasury – I only read a few of the stories in this collection of horror stories (unsurprisingly recommended by Mr. Gaiman). Not bad, but not really my thing.

The Child that Books Built – Francis Spufford. Most definitely my thing. Spufford goes through the books he read as achild – after confessing that he is a devourer of fiction and an addict. Narnia, Little House on the Prairie, most of the books he discusses are books I also loved as a child – and he looks at how the shaped and fed his as a human being and help make him the person he is now. Loved it. Need to wont this one and read it all th way through in one shot, instead of reading the first half in one week and then the second have 2 weeks later after returning from vacation.

What I Read in May – Part Deux. In which I detail my ongoing obsession with all things Gaiman

Five of the books I read in May were by Neil Gaiman. Three of them were comic book collections, so those are a quicker read, usually. But still – that’s a lot of Gaiman. And that doesn’t include the months (and months) of blog posts I read.  Plus, he’s the reason I read Alabaster. So, yeah.

He shows up a lot in June as well. And July. He’s a talented, prolific guy, what can I say?

***

Absolute Death & Endless Nights and Marvel 1602, all by Neil Gaiman and various artists (Dave McKean, Mark Buckingham, P. Craig Russell & Andy Kubert to name a few). Reading these reminded me of how much I loved reading comics. Not as a kid, as an adult. I got hooked on X-Men comics the summer after I graduated from high school (my roommate had been collecting for years and I got to read all he had, and then had to start collecting my own when I moved away). I finally stopped collecting them after 10 years – not because I stopped liking them, but because it was too expensive to keep up with all the storylines I was interested in, too much work to make sure I didn’t miss anything, and they are much more fragile than books. Plus, I was a broke child and had to economize. But I never stopped liking them. I got all of these at the library – yay, libraries with graphic novels!

Absolute Death* & Endless Nights are both oversized collections from the Sandman comic book series. Death is the incarnation of death (a happy young goth girl) who is one of the Endless, a group of immortals (but not exactly) which includes Dream, Destruction, Desire, Delirium (formerly Delight), Destiny and Despair. Absolute Death is a collection of the Sandman stories that Death starred in, and Endless Nights has one story about each of the Endless. Both include forwards, extra text/sketches/back story/etc not included in the original comics. Much awesomeness.

Marvel 1602 is that most perfect of things: A COMIC BOOK by NEIL GAIMAN that has the X-MEN in it. Plus the Fantastic Four, Nick Cage, Captain America, Dr. Strange, and a bunch of other Marvel Universe regulars I’ve forgotten. Mutants start showing up in the year 1602, and prehistory starts repeating itself, sort of. It’s fantastic. A 6-comic series that ended up being 8 because there wasn’t enough room for it all. Even more awesomeness.

American Gods and Anansi Boys. I read American Gods (again) for #1b1t on twitter – in fact I joined twitter so I could follow it. #1b1t was the first twitter book club (one book one twitter). Twitterers voted on what book the world should read – and American Gods won. I read Anansi Boys (again) because I was reading the part of Gaiman’s blog where he was writing it – and wanted to give it another shot.

American Gods is a fabulous book, probably the novel that moved me from liking Gaiman’s writing to looooving it (I’d already read Neverwhere, Stardust and Smoke and Mirrors). It is the story of Shadow, a seemingly-regular-joe who got in a bit of trouble, and gets out of jail to find that ancient gods (like Odin and Icarus and hundreds of others) are battling new gods (like Media and Techboy), and he’s caught in the middle. A road story, and buddy story, a coming-of-age story, and a treatise on the waves of peoples who have come to the ‘new world.’ Also about human nature, and faith. Did I say I loved it? LOVED it. I think I first read it in 2002ish when it first came out in paperback. This was probably my fifth time – still fantastic. Couldn’t stick to the reading schedule for #1b1t and finished it the 3rd week.

Anansi Boys is… well, my least favorite Gaiman book (see, my love is not blind!). To be fair, the first time I read it, I thought it was a sequel to AG, which it most definitely is not. It shares one minor character in a completely different context. This book is a comic (as in funny, not as in pictures + word balloons) undertaking, whereas AG is a serious and contemplative novel. Not that there’s anything wrong with that. But it’s like when the movie trailer looks like a romantic comedy and the film turns out to be gory horror flick – it messes everything up. So I was reading it again to give it a fair shot (and this time prefaced by Gaiman’s blog discussion). Still my least favorite Gaiman, but I liked it better the second time around. AG is my favorite kind of novel, and very well-done. AB… isn’t. My favorite kind of novel, that is. It is very well-done.

For those of you sick to death of me blogging (and talking, and texting, and facebooking) about Mr. Gaiman – you’ll be happy to hear that I only have about 18 12 months of blog left to read. Then I will have Read. It. All.

Well, all except the American Gods blog – which is in a book w/some other stuff, so I’ll be reading it there when I can get a copy. But I have to warn you… he’s still blogging. And writing. And twittering. And now I’m following his fiance and his assistant because they are both funny and interesting as well (no, Officer, I was not peaking into Mr. Gaiman’s windows. These binoculars? I was merely admiring those fine bee-hives over yonder, why do you ask?).

So, maybe he won’t own the place, but this will certainly not be a Gaiman-less zone any time soon. You’ve been warned.

* Absolute refers to the size and paper quality and such, and is not to be construed as commentary on Death, death, dying, or how it’s much like taxes. In case you were wondering.

What I Read in May – Part Uno

Yes, I know. It’s July – practically August – and I’m just getting to What I Read in May. But it is still July, and I intend to get June done before August as well. And maybe if I just do a little blurb on each of these books, I can stop feeling so behind (or not).

I’ve broken May into two parts – Neil Gaiman and Not Neil Gaiman. I’ll give you the Not while I’m finishing up the other.  Even a short blurb on 16 books was getting a bit long, and some turned out to be not-so-short.

The Summer We Fell Apart by Robin Antalek. Discussed here. Loved it.

Eat, Pray, Love by Elizabeth Gilbert. Discussed here. Liked it a lot. Can’t really see Julia Roberts playing her, but that’s cool. Glad I read it already.

The Candy Shop War by Brandon Mull. I like to encourage kids to read, so when my friend’s son was excited about this book and wanted me to read it, I gave it a shot. Unfortunately, some children’s books are great books that happen to be read by children (Harry Potter, Chronicles of Narnia) and some are just children’s books. I got bored pretty quickly, so I didn’t finish it. Turns out, the boy didn’t finish it either! Guess he was more excited talking about it that actually reading it.

Chocolat by Joanne Harris. I read this one because a) I loved the movie and b) I have since liked everything else I’ve read by Harris and c) I wanted to be able to speak intelligently about the book, not just the film. The book is a little different in tone and detail from the film (the romance is less prominent in the book, the Comte and Vienne both more nuanced) but I felt like the film was a faithful representation of the story here.  Love Harris.

Alas, Poor Darwin: Arguments Against Evolutionary Psychology, ed. Hilary & Steven Rose. I read an article/editorial in the New York Times (I think) by Hilary Rose, and that’s where I heard about this book. It is really aimed at scientists in the fields of Psychology, Sociology and Biology, so it was a big of a slog at times. Their purpose was to refute the recent trend to discuss evolutionary psychology as a science, when really what’s being talked about most is more of a simplistic metaphor to help explain behavior. What is useful as a heuristic is being presented as scientifically-based – and the scientists in this book would like those people to knock it off. Much of it was interesting, but I didn’t retain much.

Alabaster by Caitlan R Kiernan. Discussed here. Loved this one.

Cemetery Road by Gar Anthony Haywood. This is a book I picked up at the PLA convention (same source as The Lonely Polygamist). I’ll confess – I mostly picked it up because I met the author briefly, and he was nice and very attractive. The book is a suspense/detective kind of thing. I started off not terribly impressed – and then realized it was 5am and I’d finished it. A short, fast read, in which the main character knows more than he’s telling us as he tries to figure out the strange death of a childhood friend. I was never bored, and I bore easily. In my notes, I called it ‘deceptively seductive.’

Bright-Sided: How the Relentless Promotion of Positive Thinking Has Undermined America by Barbara Ehrenreich. A great book about how ignoring painful truths is (duh) counter-productive. This one will get its own post. No really, I’m not just saying that.

Father of the Rain by Lily King. I reviewed this book for BookBrowse, loved it. Similar to The Summer We Fell Apart, it is the story of a charismatic, alcoholic father from the viewpoint of his 11-year-old daughter. It follows her until she’s an adult with a family of her own, as she tries to rid herself of the pain and learn new ways to trust people. The writing is fabulous, the details ring true, and I just wanted to reach into the book and give that girl a hug.

The Girl Who Stopped Swimming and Between, Georgia, both by Joshilyn Jackson. Both of these I listened to as audiobooks.  I found Jackson last year at my sister’s house – she had gods of Alabama, and then I found Between, Georgia on a sale rack. Jackson has a clear voice and a talent for description that makes her characters vibrant, interesting and convincingly human. I listened to The Girl Who Stopped Swimming, on a road trip a few months ago and was even more impressed with this third novel – and the audiobooks are read by the author, who is a great reader. All three books take place in modern-day southern United States, with a female protagonist that feels like a neighbor you’d like to be friends with. All three focus on the pains and joys of families with skeletons in the closet that just won’t stop rattling. I’ve got her new one, Backseat Saints, on hold at the library.

There was much to love this month – which is probably why I got through 16 (well, 15 ¼)  books, some of them pretty long. Up next, Neil Gaiman in May, then What I Read in June. Stay tuned.